THOSE FATAL FLOWERS

Greco-Roman mythology and the mystery of the vanished Roanoke colony collide in this epic adventure filled with sapphic longing and female rage—a debut novel for fans of Madeline Miller, Jennifer Saint, and Natalie Haynes.

Before, Scopuli. It has been centuries since Thelia made the mistake that cost her the woman she loved. As the handmaidens charged with protecting Proserpina, the goddess of spring, Thelia and her sisters are banished to the island of Scopuli, cursed to live as sirens—winged half-woman, half-bird creatures. In luring men to their death, they hope to gain favor from the gods who could free them. But then ships stop coming and Thelia fears a fate worse than the underworld. Just as time begins to run out, a voice emerges, Proserpina’s voice; and what she asks of Thelia will spark a daring and dangerous quest for freedom.

Now, Roanoke. Thelia can't bear to reflect on her last moments in Scopuli, where she left behind her sisters. After weeks drifting at sea, Thelia’s renewed human body is close to death. Luckily, an unfamiliar island appears on the horizon—Roanoke. Posing as a princess arriving on a sailboat filled with riches, Thelia infiltrates the small English colony. It doesn’t take long for her to realize that this place is dangerous, especially for women. As she grows closer to a beautiful settler who mysteriously resembles her former love, Thelia formulates a plan to save her sisters and enact revenge on the violent men she’s come to hate. But is she willing to go back to Scopuli and face the decisions of her past? And will Proserpina forgive her for all that she’s done?

Told in alternating timelines, Those Fatal Flowers is a powerful, passionate, and wildly cathartic love letter to femininity and the monstrous power within us all.

Coming January 2025

Praise for Those Fatal Flowers

  • This lush, visceral debut is a queer form of time-travel. Shannon Ives evokes all the surreal fervor of a siren song, against a looming colonial context so stark and frigid and blood curdling that the reader may very well find themselves wrecked and restored in the span of a few chapters. A deeply-felt, slow-burn, sapphic romance that spans thousands of years, <i>Those Fatal Flowers</i> does the impressive work of blurring intensely disparate contexts into a whole which is not only cohesive, but also compelling, intuitive, and poignant.

    Eilish Quin, author of <i>Medea</i>

  • I found Those Fatal Flowers to be a delight, delivering the kind of cathartic and justified female rage I crave to see more in fantasy. With delicate and ephemeral wordplay, Shannon Ives weaves lyrical prose that catches the attention and never lets go. I loved Ives’ ideas of female empowerment, the poignant sapphic longings, and the tender moments between the protagonists. I can’t wait to see what else Shannon has in store

    –Gabriela Romero Lacruz, #1 Sunday Times bestselling author of The Sun and The Void

  • Ives skillfully blends old and new legends while lovingly crafting a nuanced cast of women characters. The result is perfect for fans of Madeline Miller and Jennifer Saint.

    Publishers Weekly